Star Wars – The Real Back Story

When someone writes a hit movie or a best seller, it’s easy to think it all resulted from a stroke of creative genius and it just happened organically. But in almost every case nothing could be further from the truth.

Take the Stars Wars movie franchise for instance. A number of intriguing back- stories exist about how things got to be as they were in the Star Wars movies. Here I should give a plug to a writer called Chris Taylor who discovered them and wrote a book suitably titled: How Star Wars Conquered the Universe: The Past, Present and Future of a Multi-billion Dollar Franchise.

For example, Taylor tells the story of when Star Wars creator George Lucas showed a rough cut of the movie to his mates Steven Spielberg and Brian De Palmer, Spielberg thought it was going to be a huge hit but De Palmer mocked it mercilessly. He told Lucas what is all this ” Force shit? Where’s all the blood when they shoot people.” But sarcasm aside, De Palmer was a talent. Lucas knew it. And De Palmer wanted to help his friend. So he and Jay Cocks, another screenwriter and critic for Time magazine, agreed to re-write the opening crawler. You remember. The big words in yellow at the start of the movie, which disappear into outer space. The words give the back-story of the Empire and the rebel alliance.

And there are plenty of other intriguing and tasty morsels to be had.

How about the origin of the Han Solo Wookie? That came about after the sound editor on one of George Lucas’s other projects hired a voice actor called Terry McGovern. And McGovern just happened to bring along an old army buddy called Bill Wookey.

You might be starting to get where this is going.

At some stage marijuana must have been smoked because a very stoned McGovern adlibbed during a voice-over recording “I think I just ran over a Wookey back there.” Lucas who might have been equally stoned, who knows, thought what McGovern had said was hilarious and he wrote down the line in his notebook but changed the spelling of Wookey so that it ended in the letters ‘I’ and ‘e’. Incidentally McGovern was also hired to be a voice actor on Star Wars. Remember the scene where Obi-Wan-Kenobi hypnotises one of Darth Vader’s Storm Troopers into saying: “These aren’t the droids we are looking for?” Well that was Terry McGovern’s voice saying it. McGovern was paid the princely sum of $200 for his token bit of screen immortality. Bill Wookey, McGovern’s friend never met George Lucas and had no idea his name would inspire film history. That was until Bill Wookey happened to see the movie and other people who also saw it said he must have inspired the character Chewbacca. Bill Wookey is a hairy, bearded man who is 6 foot 3 inches.

There is one back-story that Taylor tells that I particularly like. It concerns the origin of the name of the little droid R2 D2.

George Lucas was also responsible for the movie American Graffiti. He and a man called Walter Murch did the sound mix. But in order to do the job properly they needed to match the dialogue to the right reel of film. So they would write on cans of film the letters R for reel and D for dialogue. Of course each can was numbered so there would be no confusion. Apparently, one day (this is a true story) Murch yelled out: “I need R 2 D 2″ and everyone on set laughed their heads off. Lucas laughed as well but he also wrote the line down in his notebook.

The Vietnam War played a major role in shaping the Star Wars trilogy. Lucas was rejected for the draft because of his diabetes. But even before he made Star Wars, Lucas wanted to create a documentary style anti-war film on Vietnam. It was to be called Apocalypse Now, a title devised by one of Lucas’s friends. Instead the project was passed on to Francis Ford Coppola, who gave Lucas his first movie job working on the musical Finian’s Rainbow. Taylor says in his book that in 1973, Lucas wrote a note on Star Wars: ‘A large technological empire going after a small group of freedom fighters.’ In some ways that was how Lucas saw the Vietnam War. The Empire being the United States and the freedom fighters the Viet Cong. Star Wars apparently had a rough time getting the required backing from a studio. It was pitched to United Artists but they rejected it. Universal had an option on the production but never bothered giving Lucas an answer. He took the project to Disney but they also said no. Finally Fox said yes and the rest is history.

In case you are interested, Fox permanently owns the rights but Disney will get a piece of the action. They bought LucasFilm for $4 billion two years ago.

But I’ve saved the absolute best anecdote until last. Taylor’s book talks about how Han Solo got to be cast. Lucas considered Harrison Ford but initially ruled him out because he thought a potential Star Wars audience might be distracted if a cast member from American Graffiti (Ford had a small part) suddenly turned up in his next movie.

The Future Of The World (Humor)

An old manuscript was found in the attic of the legend Migel Nostrildamous, a seer of the 1500s who could smell the future. It is written in his own handwriting and it foretells events in the not-so-distant future. And it doesn’t smell good.

Migel writes of the following events:

The year is 2035. The entire border between the U.S. and Mexico has been paved with asphalt so people don’t slip as they run cross. All illegal aliens in the U.S. have been granted amnesty and a subscription to Telemundo. The official language of the U.S. is Spanish. Mexico’s population is 35.

Obamacare requires insurance companies to cover children up until the age of 64, as long as they live with their parents and their mother still does their laundry. A “pre-existing condition” is now defined as a condition that existed before you existed. What this means is that all out-of-pocket expenses paid by your parents and grandparents for their own medical problems, you now get reimbursed for. And this all works out well. Every family has three cars, six servants, a horse stable, and insurance company executives live in homeless shelters.

Dennis Rodman and Kim Jong-un embark on a joint venture. They’ll be manufacturing detachable mops that can be used as a Kim Jong-un wig that doesn’t fly off when playing basketball.

The International Court of Justice moves from the Hague to the Bronx. In their first session they condemn New York City cops for occupying Brooklyn.

ISIS runs the U.N.’s Human Rights Council and declares that killing a terrorist is a crime against humanity.

The U.S. military has been reduced to a small fraction of what it used to be back in 2014. It loses many men in combat in a war with Denmark. The U.S. is outgunned and outnumbered. Denmark’s army consists of 500 well-armed soldiers, it’s navy has three rowboats with mounted shotguns and it’s air force consists of five cropdusters that can drop 78 cherry bombs a minute. The U.S. doesn’t stand a chance.

Israel finally agrees to give up all the land demanded by Hamas. Hamas builds more tunnels with the help of Iran’s biggest contractor, “Jihad Construction, Roofing and Waterproofing,” and completes the project under budget by taking advantage of the construction company’s semi-annual “Buy cement for one tunnel, get cement for another tunnel free” sale.

Hamas is invited to the U.S. to help New York City complete its never-ending subway projects. Hamas responds, “Can not do. Not have enough cement for tunnel from New York to Israel.”

In light of its land gain, Hamas now demands that Israel roll back its borders to the pre-Egyptian-bondage lines. Israel responds that it’s willing to comply as soon as it figures out how to split the Red Sea again.

Evolutionists are dealt a big blow when a book that disproves the theory of evolution, “Fossils Make A Monkey Out Of Evolution,” reaches one billion in sales on Amazon. In response, evolutionists claim they can prove that if you incubate a bunch of worms in a solution of amino acids and carbon compounds they will eventually evolve into the Long Island Railroad. And they bolster their claim by recounting an experiment that showed that a worm’s cell magnified eight billion times has a remarkable resemblance to a train window.

Post Production and Editing

Editing is a real art forum and creates the pace for your film or video. A video editor also bring a huge amount of himself to the project. Video editing can be a very long process and requires much patience while putting the clips together. In today’s industry there are many different editing platforms such as Final Cut Pro and Adobe Premier Pro. The creative process of editing includes first organizing your project by importing all of the raw footage into folders. Then you bring the clips into the edit timeline. There are different levels of editing software and since this is about producing a professional corporate video, I focus on the professional program that we use at Video One Productions, called Final Cut Pro (FCP). We use Photoshop and Illustrator to create graphics and manipulate still images that we want to import into FCP; Soundtrack Pro and Sound Loops to produce music and sound effects; Live Type for text effects; After Effects and Motion to apply special effects to the edited footage; and Studio Pro to author the DVD’s that contain the programs we edit.

The timeline is where your video gets displayed and edited. You also have text effects tools, video transitions and a host of special effects to enhance your video. Then you can transfer the footage from your external hard drive to your internal drive. You never want to capture or edit to an external hard drive, as the throughput is not sufficient to move the video. If the throughput isn’t fast enough, you’ll get stuttering video or the program or computer may crash.

There are now external hard drives that you can capture and edit to. But unless you have an external hard drive with a firewire 800 interface, play it safe and edit from your internal drive. Not to get too technical, but your external drive needs a serial ATA connection and an IDE or Ultra ATA hard drive that goes at least 7200 RPM to edit video. If you have that combination, you can capture and edit video on that drive with no problems. If you’re editing video to an internal drive on your computer, it is recommended that you use one internal drive for your applications, system, etc. and another internal drive for your video projects. We’ve had the best luck editing video on Hitachi internal drives.

Let’s talk about the video program itself. People who are new to video editing often go overboard. Most digital video courses that are offered only explain the use of a program or editing software. Global System has created a course that covers all aspects that work professionally with digital video. For getting more information about Film you can klik this boneyardtales.com

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