Post Production and Editing

Editing is a real art forum and creates the pace for your film or video. A video editor also bring a huge amount of himself to the project. Video editing can be a very long process and requires much patience while putting the clips together. In today’s industry there are many different editing platforms such as Final Cut Pro and Adobe Premier Pro. The creative process of editing includes first organizing your project by importing all of the raw footage into folders. Then you bring the clips into the edit timeline. There are different levels of editing software and since this is about producing a professional corporate video, I focus on the professional program that we use at Video One Productions, called Final Cut Pro (FCP). We use Photoshop and Illustrator to create graphics and manipulate still images that we want to import into FCP; Soundtrack Pro and Sound Loops to produce music and sound effects; Live Type for text effects; After Effects and Motion to apply special effects to the edited footage; and Studio Pro to author the DVD’s that contain the programs we edit.

The timeline is where your video gets displayed and edited. You also have text effects tools, video transitions and a host of special effects to enhance your video. Then you can transfer the footage from your external hard drive to your internal drive. You never want to capture or edit to an external hard drive, as the throughput is not sufficient to move the video. If the throughput isn’t fast enough, you’ll get stuttering video or the program or computer may crash.

There are now external hard drives that you can capture and edit to. But unless you have an external hard drive with a firewire 800 interface, play it safe and edit from your internal drive. Not to get too technical, but your external drive needs a serial ATA connection and an IDE or Ultra ATA hard drive that goes at least 7200 RPM to edit video. If you have that combination, you can capture and edit video on that drive with no problems. If you’re editing video to an internal drive on your computer, it is recommended that you use one internal drive for your applications, system, etc. and another internal drive for your video projects. We’ve had the best luck editing video on Hitachi internal drives.

Let’s talk about the video program itself. People who are new to video editing often go overboard. Most digital video courses that are offered only explain the use of a program or editing software. Global System has created a course that covers all aspects that work professionally with digital video. For getting more information about Film you can klik this

Things To Consider Before You Decide On Shooting A Film In Turkey

Being prepared is more than a necessity if you are planning to do a film shoot in Turkey. Ensuring you have all the correct paperwork in order is vital at all times regardless of whether the shoot is a documentary, an advertisement, a movie or a news report. Carrying all the right permits will ensure you have a smooth shooting session without the interference of Turkish authorities.

Permits are of two types generally. Public locations like cities and streets are covered when you have a general permit. However, you will need a special permit to cover particular sites like museums, national parks, private institutions, palaces and archaeological sites. It is common to find rules specific to certain sites. Some sites would have specific timings with regards to filming and others might have certain zones that can’t be accessed. The fees are specific to sites and vary depending on the place and project.

Applying for a general shooting permit can be done through one’s own country’s embassy or the consulate. There are certain credentials that need to be submitted with include the following,

· Contact information, passport numbers, names and occupation details of all the crew members

· Flight and travel details like airports you’ll be arriving to, dates and timing

· Information in detail with regards to the equipment you will be carrying along

· Details about the project like broadcaster name, client and publication name.

· Your itinerary with regards to the places the crew will be visiting for the shoot

· The fixer details including the name and company of the guide who will be assisting you when in Turkey

The processing time for approval of the permit may take up to three weeks. It is wise to look for a professional fixer in Turkey who could help you with permits. Hiring a fixer would definitely do you a lot of good. Things tend to get simpler if you have somebody who knows the language, has knowledge of the system and has contacts with the officials helping you. A professional Turkish fixer can help you with the application process by applying directly to the Turkish Ministry in Ankara and in order to speed up the process can negotiate with particular locations.

It becomes easy and smooth to acquire a filming permit in Turkey if you have all the required paperwork and a very good professional fixer or production company helping you out. With the permits in hand it is now time to go ahead and get all the filming visas sorted out. It is a painstaking and expensive affair to get these filming visas because they need to be issued by the Turkish Embassy in your own country. Therefore, you might have to plan way ahead of time and allow some time to have them processed.

Dolphin Tale 2

In these days of wars on three fronts, headlines of missiles raining down on Syria, ninety minutes of a story based upon a dedicated group of people with the single, pure and loving goal of rescue, rehabilitate and release of Dolphins and other marine animals was just what we needed yesterday.

Dolphin Tale 2 is the sequel to a movie telling the true story of a group of people in Clearwater Florida who rescued a dolphin they named Winter pictured here with the prosthetic device devised to function for the amputated lower part of her body and her tail. The acclaim of the public to the original story was overwhelming-particularly for those many veterans and children who are amputees.

The sight of this dolphin with her prosthetic tail – an animal who would be prey were she to left on her own in the ocean- brought such astonishing international attention and financial support to the small group of people that they were able to form an institution: Clearwater Marine Aquarium.

This sequel narrates another crisis for Winter when her Dolphin friend dies apparently from old age. The crisis is real: Dolphins are social to the point where another Dolphin presence is as essential as food the lives and well-being of these remarkable creatures. The story of the dilemma between the need for a Dolphin partner for Winter and the institutional mission of returning healthy Dolphins to the wild is told simply and powerfully.

The young actor and actress who play the roles of the real young people at the Aquarium are believable in their sincerity and passion for these stunning mysterious creatures who can seem so cerebral, so filled with light, these bottle-nosed Dolphins. And the cameo appearances of Morgan Freeman, and Kris Krisstoferson are added bonuses. If you do decide to see the movie, do stay long enough to see the actual filming of the rescues and of the footage of disabled children and adults who make the visit to communicate with this sympathetic being called Winter.

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